Sabine Finkenauer has distanced herself from the figuration inherent in her earlier work to explore, in her recent work, the abstract potential of those seemingly essential forms and gestures that have been part of her poetic imagery from the beginning. In Circular, the artist presents a group of pieces from recent years in which she returns to the circle as a primary and infinite figure, imbuing it with a new processual and symbolic meaning, while examining the tension between form and representation, plane and space.
