In Fictions for a present position, Natalia Castañeda creates a kind of fiction, based on the ambiguity between the figurative and the abstract in which each trace of the brush is debated in her paintings, and in each sculpture that rests in a kind of transitional posture lying on a chair. Both her sculptures and her paintings demonstrate the noble rebelliousness of the materials, which do not submit absolutely to the purpose of the molder, but rather patiently guide his hands in a joint work.
