One of the most important elements that has marked Aldo Chaparro's production throughout his artistic career has been his direct relationship with materials and their environments when creating. Idea, matter, context and time come together for the artist to sculpt works that give body to a reflection on experimentation, construction processes and the contemporary image. For a couple of years now, this experimentation has focused on the intervention of spaces loaded with historical information. The Pamphilij Palace, the Pantheon in Rome and the Santa Clara Church Museum have been some of the settings chosen by the artist to explore the relationship between the ancient and the contemporary, the industrial and the artisanal, the human and the divine.
