During the 1980s, the concept of sculpture emerged in the expanded field, a cartography that defines artistic practice as an infinitely malleable category, whose possibilities open up to the exploration of elements such as the representation of matter, construction processes, and the displacement of forms in space. In the following decades, numerous artists transcended the limits of the traditional domain of sculpture and focused on enhancing its relationship with architecture and landscape, exploring the notion of site-specificity, and responding to the nature of the materials used.
